Hanging out with the Dali
of Bali
Jeremy Atiyah discovers
the surreal, serene island where locals and foreigners alike turn living into
an art
SUNDAY 10 JANUARY 1999
I USED to find Bali
hard to believe in. Geographically, the island was practically an extension of
Java, one of the most crowded places on earth. This was Indonesia, a jungly, chaotic and slightly menacing country - but at
the same time it was home to the notorious Kuta Beach, crowded with surfers and Sheilas. If anything, it sounded
like the worst of all possible worlds.
Nor was I much tempted by the history of
European colonisation in Bali. At the start of
our own century, the Dutch were still butchering the locals. And Gauguin-wannabes
who should probably have been fighting Hitler were dropping out here, waxing
lyrical about little brown men and canoodling with topless Balinese girls under
the pretence of being artistically creative, all the while lamenting the
"commercialisation" of the island. Well, come to think of it, I might
have done the same. But it was incredibly irritating to think that others had
got there so long ago. What could the much-vaunted joys of Bali amount to in 1999,
if not a gigantically stale cliche?
To smooth things along, I put myself in an almost unimaginably
upmarket hotel, the Bali Hyatt in the beach resort of Sanur. Vast gardens of
mature coconut palms spread away in all directions. At breakfast-time I sat in
the open air under a thatched roof surrounded by carved wood and weather-
blackened statues of wild-eyed Hindu gods. Steaming clouds swirled about the
trees, cool raindrops tinkled in the goldfish ponds. More moss seemed to grow
on those statues even as I ate my shining slabs of mango and papaya. Gentle people
in Balinese head-wraps greeted me at every turn.
But what about the real Bali? I took a day trip
to the centre of the island, past volcanoes surrounded by black cloud and
terraced paddy fields where the water curved round hills like mirrors. The first
stop was to see a Barong play, part local pantomime, part mishmash of temple
rites cobbled together for tourists.
In the audience we were perhaps a hundred people; the German
sitting next to me had a camera lens half a metre long. Cymbals and strings rippled
and billowed across the scene; off-stage was the usual perfect arrangement of
trees and lava-stone gods. The action came and went, a tiger with a beard full
of flowers, dancing girls with swivelling eyes and bare feet, a roaring,
quivering monster, a sad boy who died in a bundle of feathers, a boar, a giant
cock. There was explosive stomping, a little bestiality, traces of pathos, much
spectacle and tons of technical aplomb. Despite my fears about feeding from the
trough of tourism, I soon found myself sipping from the lightness and beauty of
the Island of the Gods.
There are a thousand temples on this little island: territorial
temples, market temples, public temples, family temples. Driving the narrow
lanes of the island, in fact, you seem to see only one industry:
temple-building. Bali does have mess - road-works, construction -
but beauty invariably lurks around the next corner. Men in yellow silk sarongs,
little walls, shrines, gateways and towers of red brick graced by stone
carvings: sections of grey volcanic tuff, chiselled into demons and deities.
Like their temple carvings, the daily life of the Balinese is
governed by protocols of staggering complexity. Taxi drivers told me of the
need to make offerings in the family temple every day after dinner. A tour
guide spoke of ritually slaughtering pigs in the front courtyard of his temple
every 15 days. I was told of ceremonies for every day, week, fortnight, month,
century etc. I saw little leaf-trays containing rice and fragrant flowers -
offerings to the gods - in villages, in temples, even in the airport terminal.
And the ancestors? Another complex affair in Bali, though not
necessarily one of grief. "We bury our dead maybe for a year or two,"
a guide told me. "Then the priest will tell us the propitious day for a
cremation. We dig up the body and cremate it and have a party. Everybody is
happy."
I drove through the village of Batubulan, the centre of
stone-carving in Bali. Anyone with a large garden in need of
ornamentation would be mad not to come here: the village is jammed with enough
statuary to keep Buckingham Palace and Versailles stocked with Hindu
gods and goddesses for the next 2,000 years. If that wasn't enough, I then came
to the wood- carving village of Mas. It was a similar
story: house after house stocked with fantastically beautiful objects. Weeping
Buddhas, lithe Ramayana figures, animals, masks, pieces of furniture.
Balinese art, never forget, is real art. It is not simply a
matter of churning out the same old artefacts for the consumption of tourists.
There are dynamic artistic traditions here. In the middle of Bali, above the rice
terraces, lies the miraculous town of Ubud where nobody lifts
a finger except for the sake of art or religion.
The day I walked into Ubud I began to sense that it might take
more than a world war
to drag me away. This is a town where even the bank is
built in the form of a temple. The first thing I saw was the Ubud Palace, where dozens of
men in head-wraps were hard at work preparing for the cremation of the wife of
the local chieftain. Cutting, carving, planing, flattening gold paper on to
frames, erecting a temporary four-storey roofed tower of bamboo. A sign in the
local tourist office announced that tourists would be most welcome to attend
the cremation spectacle themselves. Other signs invited tourists to attend the
Fire and Trance Dance, scenes from the Mahabharata and the Shadow Puppet play.
In short, to join in the local joy.
Quiet lanes lined by frangipani trees and courtyard homes ran
off in all directions. Down these lanes I found what may be the best-value
hotels on earth. Stylish little rooms under trees in grassy miniature palace-
style gardens were available for about pounds 3. If you could stretch to pounds
15 you would have a swimming-pool in the garden. Over thoughts of dropping out,
I took a lunch of fish in coconut leaf with green chilli and coriander, washed
down by a mint and mango cocktail - for next to nothing - then strolled away to
become an art-buyer. I snapped up two large, heavily framed pieces - a Barong
monster and a Balinese dancer - before skipping down to the house of Antonio
Blanco.
Of all the pretentious good-for-nothing European layabouts who
have ever dropped out in Bali, this immodest
Catalan has done it with by far the greatest panache. High above the Wos Timor
river, and three grown-up children later, he still lives with the Balinese
woman he met nearly 50 years ago, having first spotted her working on a temple
construction site. I would have dismissed this as a tawdry Spanish fantasy had
I not just met a group of straight-backed young women carrying massive baskets
of bricks on their heads myself.
Antonio Blanco leaves his fabulous house open for visitors to
wander round. A sign announces the determination of this artist to "serve
the mythical goddess of beauty diligently". Through avant-garde little
poems made of cut-out pieces of text, erotic paintings of pre-pubescent girls
and photographs of himself with the King of Spain, this particular Dali of Bali
makes it perfectly clear that at 86 years old he is still defiantly proud of
the madness that once tempted him leave his home for a place on the Island of
the Gods.
FACT FILE
bali
Getting there
Jeremy Atiyah travelled as a guest of Singapore Airlines and the
Bali Hyatt Hotel. Contact Hyatt's worldwide reservations (tel: 0845 758 1666 ). Until 28 February, double rooms in the
Bali Hyatt cost from US$80 (around pounds 49) plus 21 per cent tax.
The most direct route to Denpasar, Bali, is via Singapore with Singapore
Airlines (tel: 0181-747 0007). It flies daily, with returns from pounds 555
plus pounds 20 tax. An interesting alternative is to fly to Singapore for
pounds 490 return, plus pounds 26 tax, with Singapore Airlines and make your
way to Bali by land or sea, or by cheap domestic flight from Singapore to
Jakarta and then overland to Bali. Garuda (tel: 0171-486 3011) offers some of
the cheapest fares to Bali. It flies three
times a week, via Frankfurt and Bangkok, with return
flights from pounds 425 return plus pounds 20.
Further information
The Indonesian Tourist Promotion Office 3-4 Hanover St, London W1R 9HH (tel: 0171-493
0030). It offers a variety of useful free publications, such as the Travel
Planner, Tourist Map of Indonesia and Calendar of Events for Bali and the whole
archipelago.